Gay Crusing Ettiquette

PAUL Sommaripa, a letter from the Culture affectionate Alba Rosa

I am pleased to participate in the 35 years of work by Paul Sommaripa, which binds me a profound respect and great affection for having known him as a boy and he attended his exciting journey through the artistic and professional growth. His paintings range in the infinite world of imagination to tell the story of man, its complexities, mysteries, beings and elements exist side by side peacefully. Sommaripa was also the first artist to exhibit with his staff in the Civic Tower, nowadays the exhibition hall after seventy years after its construction. From Mazzano Romano, newly arrived in Pomezia, immediately began its integration into the social fabric of the city, placing himself in the forefront in the promotion of artistic culture in all its forms. I want to thank you sincerely for have contributed to the growth of artistic appreciation in our area, involving not only his work with other artists, but also and above all women and men, boys and girls in Pomezia, like him, have much to offer the City with their talents and their enthusiasm .

Alba Rosa

Councillor for Culture of the town of Pomezia

Thirty-five years and do not look it. Thirty-five years devoted to painting and art Sommaripa that Paul expresses in the section of his work with the maturity of a man who wants to impress in the pictures the experience of a life lived under the banner of the dedication and teaching culture. A master not only of art but also of life that has given so much to his city. Often misunderstood, but never gave up the face of difficulties. And it is that energy and enthusiasm that led him to move forward, to continue its journey, it can be identified and to make his paintings fresh, young people with strokes that seem to be inspired by the genuine a boy, but imprinted on the cloth with the experience and maturity of a man who for 35 years has dedicated his life to art. A real mission that has allowed him to be the first to exhibit his works in the civic tower of Pomezia, transformed, after 70 years of its construction, in a small art gallery, this time his paintings are in exhibition to celebrate 35 years of operation. An activity that is absolutely unique, by choice of the master, has never produced copies as to want to reiterate the tenuous nature of his paintings.

Moira Mario

journalist Messenger

" Sommaripa Paul, a master of art as he likes to present itself, is an expression closer to the people who love to paint. Its usually tied to the metaphysical school of Giorgio De Chirico, which remains the cornerstone of his work is the painting that most attracted the attention and passion of those who love art. But not less than other styles of painting, for the teacher Sommaripa, are the basis of a process developed over 35 years of artistic activity, and that today, thanks all'innumerevole series of works, are evidence of great vitality and maturation of a 'artist who has managed to combine art, beauty, and promotion of painting in an area rich in young new hope, like that of Pomezia.

Sabatino Mele

Time

Teaching Solutions Fraud

International Symposium Philippe Lacoue-Labarthe / 21-24 October 2009

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Symposium organized by the Centre for Research on contemporary philosophy and the philosophers of Parliament, with support from the University of Strasbourg, and the Urban Community of Strasbourg, Strasbourg National Theatre and the College International de Philosophie.

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Thinker who refused the "pose philosophical" writer and poet, Philippe Lacoue-Labarthe (1940-2007) was confronted with fundamental questions: the question of policy and its "fiction" from the Greeks to disasters of the twentieth century, that of myth and its issues, that of mimesis in the tragedy and the poem . So many questions he has patiently worked in a community of friendship and faith with other philosophers and writers such as Jean-Luc Nancy and Jacques Derrida. The best tribute we can render to a thinker's thought is to work, to discuss, to give in. With the support of the University of Strasbourg, where Philippe Lacoue-Labarthe has taught for thirty years and the College International de Philosophie, he presided at a critical moment in its history, the "Parliament of the philosophers" is organizing an international symposium devoted to his work.

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Wednesday, October 21

- 19h at the bookstore Kleber, rue des Francs-Bourgeois: presentation of the book by André Hirt, a literal man, Philip Lacoue-Labarthe (Ed. Kimé), with the author and I. Ballerina-Howald

- 19h to 15 at the library of the Mists Pier, High Street: round table around The book medesimi strada G. Aillaud, JC Bailey, Mr. Deutsch and KM Gruber (Ed. of Phocis), with JC Bailey and A. Potestà

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Michel Deutsch
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Thursday, October 22 (University Hall, Room Pasteur)

- 9h-12h:

- Jacob Rogozinski (Strasbourg): Conference opening
- Antonia Birnbaum (Paris-8, College International de Philosophie): Profane, witzig, radical, clear-sighted: Portrait Ph. Lacoue-Labarthe ordinary German

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Antonia Birnbaum & Jakob Rogozinski
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- André Hirt (Saint-Etienne ): "Holiness" by Ph. Lacoue-Labarthe
- Kirkkopelto Esa (Helsinki): Alles schwebt - Lacoue-Labarthe transcendental

-14h-18h:

- Danielle Cohen-Levinas (Paris-4): Music and affects political
- Jean-Christophe Bailly (Paris): The infinitive of the caesura

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Jean-Christophe Bailly
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- Fischer Francis (Colmar): A primal scene
- Jörn Etzold (Giessen): Tragedy and Trauerspiel - Ph . Lacoue-Labarthe player Benjamin

- 19h-21h
(library Kleber, rue des Francs-Bourgeois): Ph. Lacoue-Labarthe and drama: Michael Deutsch (subject), Francis Fischer, Helga Finter, Esa Kirkkopelto

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Michel Deutsch & Esa Kirkkopelto
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vendredi 23 octobre (Palais Universitaire, salle Pasteur)

– 9h-12h :

- Maud Meyzaud (Konstanz) : L’homme comme animal sans qualités
- Mira Kamdar (New York) : Le retrait du philosophe

-14h-18h :

- Marc Goldschmit (Lille) : La condition impossible de l’existence poétique

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Marc Goldschmit (& Sophie Gosselin)
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- Evelyne Grossman (Paris-7, Collège International de Philosophie) : L’"existence jouée" (lecture de Phrase)
- Jérôme Lèbre (Paris) : Un lyrisme sans moi (Ph. Lacoue-Labarthe et Celan)

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Jerôme Lèbre
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Boyan Manchev &Jerôme Lèbre
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- Boyan Manchev (Sofia, Collège International de Philosophie) : Le dernier romantique – ou de l’anarchie poétique

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Boyan Manchev
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- 19h-21h (librairie Kléber) : Ph. Lacoue-Labarthe et la poésie : Isabelle Baladine-Howald, Sara Guindani, André Hirt, Patrick Werly
samedi 24 octobre (Théâtre National de Strasbourg, salle Gignoux)

– 9h-13h :

- Susanna Lindberg (Helsinki) : Le monde comme musique

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Susanna Lindberg
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- Huang Kuan-min (Taipeh) : Incipit Vita, ou le lieu de l’affection

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Huang Kuan-Min
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- Andrea Potestà (Santiago du Chili) : L’emphase du caché

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Andrea Podestà
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-14h30-18h30:

- Artem Magun (St. Petersburg): The concept of mimesis for Adorno and Ph. Lacoue-Labarthe

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Artem Magoun
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- Sara Guindani (Paris-8): Powers of Mimesis in Ph. Lacoue-Labarthe

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Sara Guindani
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- Jean-Martin Cletus (Mulhouse): Typographies

- Sylvie Decorniquet (Tours): The life of the spirit and grace of thought before death (Ph. Lacoue-Labarthe and Nancy JL)

-20h-22h, closing conference - Jean-Luc Nancy: Philippe

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Jean-Luc Nancy
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What Type Of Hair Do La La Wear

Anteprima: Andrea Branzi Grandi Legna. Paris 10-12-2009

Calories In Chicken Curry

Addio ad Aldo Buzzi




Our beloved colleague, the writer and Italian architect Aldo Buzzi has died Oct. 9, 2009 in Milan at the age of 99 years.
Born in Como on August 10, 1910, Aldo Buzzi, is the author of some of the most interesting books of the twentieth century Italian fiction. Atypical writer, always original, great Saul Steinberg and a friend of Federico Fellini and Ennio Flaiano, was a major figure in Italian literary culture.
All his books from the egg Kok published by Adelphi, are in Italian bookstores with Ponte alle Grazie, her publisher who had commendably republished in recent years: "notebook-aid director" with ' layout of Bruno Munari, "Let's talk else "," Chekhov in Sondrio and other journeys "(expanded edition)," The Boston lettuce, "" Diary of a moment "and" toothpick Clipboard living, dining, travel. "Aldo Buzzi In 1938 he graduated in architecture in Milan, where he resided until the end. In 2002 he received the "Award of fiction Arturo Loria." He had worked actively as well as a writer and as an architect for many years in cinema, including others with Luigi Comencini, Federico Fellini and Alberto Lattuada. In 1955, in collaboration with Federico Patellani wrote, directed and assembled his only feature film, "Pagan America", a documentary Ferraniacolor on the ruins of Mayan civilization, its history and its developments, interspersed with four short stories featuring non-professional actors, which illustrate the reality of South America of the '50s. You should always
him the existence of "Reflections and Shadows" by Saul Steinberg, who prepared patiently with his friend and the volume of letters of Saul Steinberg's Letters to Aldo Buzzi "both published by Adelphi. In the next issue of
Chorus will find an original that the author had graciously allowed us and his memory.

Aldo Buzzi , da “ La lattuga di Boston “, Ponte alle Grazie 2000.

«Come sta?» dissi.
«Ho preparato una proposta da sottoporre al ministro della giustizia per punire una categoria di persone che mi dà fastidio in modo particolare».
«Per esempio?» dissi.
«Per esempio quelli che, dopo aver nominato New York, se devono nominarla un’altra volta, dicono la Grande Mela. Per questi la pena dovrebbe essere l’ergastolo».
«Accidenti!» I said.
"Yes, but not limited to these. Even for those who, having appointed the dollar, if they appoint him a second time, saying the greenback, or, if the gold should name a second time, say the yellow metal. And the same penalty for those who after the ball, instead of repeating the ball say the leather ball, "he added. "And for those who say the first pope - a short little word that saves time and effort - and then throw to John Paul II?"
'Life sentence' I said.
"Bravo. And for those who, having appointed Gelli, always adding the former Worshipful Master of the P2 lodge? "
" Life imprisonment, as above, "I said.
"No, the shooting. "
"Then I said, " even those who should be shot, in his time, having appointed General Noriega, always adding the strongman of Panama "
" Naturally, "he said," and the same penalty for those who, for any purpose from any pulpit, he uses the word millennium. "
"Of this I said," will be harder to persuade the minister. "
"Never mind. I make this proposal. If he refuses to accept it, shame upon them. I'm also working on another proposal to punish all those who, instead of 'gnocchi' write 'gnocchi'. no difficulty to pronounce gnocchi, as there are no difficulty pronouncing unknown, ignorant, ignoble. You see, if I say 'gnocchi', I should also say 'Alessandro Volta, inventor of the potato gnocchi'. "
"Ah! ouch! And who brings in the brains this nonsense? "
" I'm sure teachers ... the daughters of those who once also taught to write 'iscatola meat'. "
'It's true, "I said. "I remember a iscatola meat that was left in the first pages of time to kill Flaiano. I replaced with a normal box iscatola Flaiano and thanked me. Then, forced labor for the teachers? "
«Mah… cosa vuole… Probabilmente poche saranno ancora in vita, in pensione. Arresti domiciliari».
«La saluto, Parto. Vado in Isvizzera… Non si agiti. Sto scherzando. buon lavoro».

Un estratto dalla recensione del New Yorker di Checov a Sondrio

ABSTRACT: Begins with excerpt from a letter to the author from Saul Steinberg: "I have englarged some early Russian postcards, and looking at them one enters into that world just before our birth--a most attractive and comprehensible time, with people in uniform, military or school or workers, dogs, horses, a chainaya, a printer's on the second floor, a man in a long overcoat walking with hands clasped behind him." What follows is a look into that world, with quotations from Chekhov, Tolstoy, Dostoyevski, Gorky, etc. The story details the differences and similarities between the US and Russia; discusses vodka, prospects, Moscow, the Russian people, consumption, toilets, cabbage (the principle food), the attrocities and character of Peter the Great, the old tin signs made for the illiterate, Russian writers in Italy, the death of Chekhov, and in the final section the narrator writes, "I was born just in time to see the Russia of Chehov...at the home of my paternal grandmother in Sondrio, on the Piazzi Prospect." She was taken care of by a serf named Caterina, who lived in the house as part of the family and received no wages. In the courtyard was the serf Patato, who once was given a glass of wine, which had been absent-mindedly poured into a glass which contained an egg white. Patato drank the wine in a gulp and said, when asked that the wine was "sort of hard." A response become proverbial, which, now that he is dead, is all that remains of Patato on this earth.